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First! Tomorrow is election day back home; I can't vote, which is a long story of bureaucratic horrors; I'm furious about it. Let's not talk about that. If you're a UK citizen, though, please just vote. (Me, terrified of Tory government? Why would I be... oh wait! Yes! Because they're biggoted bastards! Now I remember.)


Now for something... still kind of about Sweden, actually. I was going to talk about Virginia Woolf but that topic has too high a brain-requirement for this week. I'm going to talk about Stieg Larsson instead.


Stieg Larsson's Millennium trilogy (about sexism, murder, financial scandals, government corruption, right-wing extremism and investigative journalism, if you can imagine), is far from perfect. I do mean far. It's pretty heavy-handed in its message and the pacing is way off and the shopping-lists littered throughout need shooting. Much of the plot is utterly ridiculous, although in certain subsets of detective/thriller stories that might be considered a plus. It feels very journalistic sometimes, which is because it was written by a journalist, though whether this is a plus or a minus is entirely down to taste. But here is what I do like about it:

Possibly triggering contents, particularly relating to sexual assault. Err, and there are probably some spoilers too. )

But overall these books are a really fine balance for me. I really enjoy them, though they're ridiculous, but I can see how a fairly small shift in how they were put together would have rendered them unreadable and fury-inducing.

I'm not sure the Swedish film managed to get that right, entirely, and I don't even know what to expect from a hollywood remake, but I'm sort of quietly suspicious. Maybe they'll pull off something really interesting. Maybe! But uh...

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