If we don't mention them maybe they'll go away.

[marshtide]

I'm perpetually amazed by the things people don't mention about books and authors. I know that for a great many years I had an impression of Virginia Woolf as some Classic Author who probably wrote very dry and dull things which no-one really liked but literary snobs claimed to. This can probably partly be blamed on the uneasy interaction between my mother's literary taste and my aunt's literary taste (the latter being rather more self-consciously high-brow than the former and clashes between the two being fairly common), which left me confused about a lot of books, really.

But also: no-one ever mentioned what they were about. If they did, they left things out. Things that I would have been interested in knowing, even quite a few years ago! Things like "Orlando is about the construction of gender" or "Mrs Dalloway is partly about sexuality, actually."

A lot of people - really a lot! - told me throughout my teens that I should read The Colour Purple, which I think was described as "about race" or possibly as "important" without elaboration. (Where to even start with this one...)

These are just the ones I can remember fastest. You've probably got more.

Do we just not mention the queer stuff? Is it not the done thing in polite conversation? Because really...

(Apropos of: thinking some more about Emma Donoghue's Inseparables - still recommended - and also suddenly remembering that I started reading Virginia Woolf finally because a few years ago Val said that she was a really good writer and also that there was stuff to be had on the gender and sexuality front there. And that I had this oh my god I had no idea moment.)

...and I'm going to go to class right now (and am totally going "oh my god and my teacher will have looked at my practice paper over the weekend and I know I spelt that one word wrong oh my god!" because I am ridiculous) so you get left with this mess of half-thoughts. Have fun!

Comments

[marshtide]

OK, we're constructing types of relationships and projecting them back on the past or otherwise outside of their original context. That applies every bit as much to romantic friendship and to asexuality as to lesbianism. And heterosexuality.

You say that romantic relationships are elevated and sure! I'll buy that! But women's sexuality sure isn't highlighted in a positive way by any society I've lived in, and the whole idea of romantic friendship has at times played into the frankly creepy idea of female "purity" way more than I am personally happy with. I have an uneasy relationship with the term although I absolutely recognise that it can have value outside of that area; but seriously, this is not a problem-free thing either.

[pulchritude]

Oh, I absolutely agree that all the terms we've used are bound up with our own understandings of gender and sexuality. But then, the very boundaries of these discussions are framed this way. I don't know if we even can move beyond them.

I take your point about women's sexuality and the origins of the idea of romantic friendship. My own asexuality blinds me to the ways women's sexuality are devalued, I admit. But I don't know how we can counter heteronormative ways of looking at the sexualities of historical figures (which I apparently have been using in this discussion, for which I apologise) while not projecting our own ideas about gender and sexuality upon them.

[marshtide]

I have to also add, looking back over my comments, that school has been leaving me in a weirdly combative mood lately. *wry* Oops.

Well, we can't, basically. It's a problem which is fairly universal to all study of the past; in the end you have more and less blatant bias shaping the things we take away from any given historical person or event. One can basically just acknowledge whatever bias one's aware of, try to be conscious of it, and keep going, as far as I can tell.