marshtide: (Default)
Today is wobbly. No complicated post, just a few links! I was up and about so much yesterday that I haven't been able to move properly today, and am also feeling completely worn out. That's how it goes!


Art: [personal profile] pinesandmaples has been doing lovely posts about art, which I have been enjoying lots!

Brain stuff: I found this essay on health anxiety to be an accurate description of how it feels inside my head.

Comic: This comic by Vi is awesome and adorable.

Good stuff:

- I have booked one of my favourite people to chat with next weekend, even if I can't actually hang out with her.

- When I actually post, people sometimes talk to me! Goodness me. Guess I do exist. And post things people find interesting. :)

- Negotiating to get some of my favourite Swedish people over here to hang out with me for my birthday outside of the more general family thing caused by me sharing a birthday with my partner's dad. We shall see, but it's a nice idea.

- [personal profile] annotated_em has given me paid time! Because she is marvelous and lovely! Thank you so much. :)
marshtide: (Lake)
1. She's Kind of a Big Deal: Women Worth Knowing About. Check out the prompts or sign up to write about the interesting woman of your choice, even if no-one's asked! I'd really, really love to see loads of stuff come out of this one.

2. I've put up the Frequently or Not So Frequently Asked Questions: Anime & Manga, following [personal profile] dingsi's model. Guys, go forth.

3. Masterlist of similar projects

4. Oursin is accepting prompts on the [community profile] history community on topics such as women's/gender history, history of sexuality, history of medicine/healthcare.
marshtide: (Default)
1. [community profile] photo_treasure_hunt, which I've been taking part in for kicks (admittedly mostly with old photos right now because I'm not really able to go chasing around town after the perfect shot). You know how I love taking photos. Even if I'm not that great at it. :)

2. A story about rat sex in response to various people being resoundingly wrong on the internet. I have picked this link rather than any of the ones more directly addressing the human gender & sexuality fail because this one is mostly about adorable rat stories, and I am all for adorable rat stories.

I am pretty sure no-one here actually needs the other fail outlining for them anyway.

3. Fat and angry part III: to those who love us is a good post.

4. I'm getting on a plane to Scotland tomorrow. This means I have approximately a million things to do today, but I'm going to be good and do them slowly and with appropriate amounts of rest so that I'm not all tensed up tomorrow.

P.S. Bonus cat picture.


If indeed it is a cat.
marshtide: (Default)
Apparently I'm boring today. If I tried to post properly it would start out trying to be about Rose of Versailles or Irene Adler or in fact crossdressing as portrayed in Stuff What I Like generally, or how Murakami kind of only has one story and I somehow fail to mind, or whatever, and would devolve within sentences into a detailed explanation of where I buy my tea from in Stockholm and why and how terrible the tea you can buy in Swedish supermarkets is, with a possible aside on the concept of fika. I know this would happen because I tried, several times. (I did go all the way to Stockholm with the primary purpose of buying tea today, but somehow suspect that a blow-by-blow account is not actually needed.)

Alternative entertainment until such a time as I'm less dull:

[personal profile] oursin posts about queer womanhood in the late C19th at [community profile] queering_holmes.

I'm still staring at [community profile] queering_holmes with undisguised admiration, but I don't feel intelligent enough for participation today. I am, however, making notes.


[personal profile] valborg posts about a book called The Tradition of Female Transvestism in Early Modern Europe.

I mention this partly as a flawless segue into the fact that the person known on this journal as Val is more generally known to Dreamwidth as [personal profile] valborg. Just so you know. Also because, you know, crossdressing.
marshtide: (Default)
A bitty entry this time, because I have a few scraps I want to gather up and get rid of that I can't make into full posts in their own right at this exact (everyone-is-sick-and-chaos-reigns) moment.


Have you heard of Victoria Benedictsson? I hadn't! This might just be because I'm not very well-read, but then again, it might not be. I will add the disclaimer here that I haven't actually read her books yet, though as soon as I can get to the library there's a copy of her novel Money (Pengar) waiting for me to collect. I am pretty excited about this. It's a criticism of the inequality of marriage at the time and of the sexual double standard between men and women!

Victoria Benedictsson was a Swedish writer, working in the late 19th century. She had a pretty eventful and possibly quite scandalous life, and struggled really hard to be accepted as artistically legitimate (often being dismissed as writing about women's issues). She was concerned with women's place in society and female sexuality, and her writing apparently has a really strong element of social commentary. She also inspired/influenced (and also possibly horrified) Ibsen and Strindberg, who I bet you have heard of, because they're basically The Dudes of Scandinavian theatre & literature. (The library I worked at last year in the UK had a Scandinavian literature section, which was composed almost entirely of Ibsen, with two plays by Strindberg. That was all. For reference.) Right now she's getting a bit more attention for the fact that her writing is basically full of pretty feminist ideas, but for ages people talked about her largely as that woman who had an affair with a literary critic and then killed herself because it didn't work out, which is unfortunate. (Especially as she didn't kill herself for those reasons, as far as can be discerned from the sources avaliable, which include, you know, detailed diary entries.)

Probably more on this topic at a later date, when I'm better informed.


I've come to a realisation lately: namely, that traditional narrative is just not really my best friend. I tried to be friends with it for a few years and I think it mostly produced stories which were fragmented anyway (but, in absolute fairness, sometimes worked quite well like that) and stories which I could not possibly finish, and while we'll certainly remain on speaking terms I think we need some space from each other. The problem with it is maybe that it implies to some degree a worldview that I have problems with, of definite beginnings and middles and ends, patterns which resolve themselves into meaning, etc., and while I can happily accept that this is exactly what a lot of stories need and that there are very good reasons for telling them in that sort of way I don't think I would actually want to write like that because I am... not really writing for those reasons, not really interested in what happens so much as the people it happens to (or around or because of or in the mind of or...) and the places it happens in. If I am interested in patterns it's maybe more why people perceive them the way they do, and the ways in which they try to make stories out of their lives.

Possibly this is some kind of terrible difficulty, but I'm not really convinced; I think it's more of a difference, and one I'm happy to play with, which means I should write a different kind of story. It's the sort of thing where just accepting it is likely to make for slightly happier writing. I'm interested in building up fragments into something of a story and I'm interested in ambiguity and making people join the dots up to a certain point, though of course one has to play carefully in this territory.

Looking at the authors I really love in a way which goes beyond "this is a good and thought-provoking read" or whatever and into the territory of starry-eyed admiration, I don't think this should be very surprising. Virginia Woolf? Experimental stylist fond of stream-of-consciousness and writing people more than writing stories. Tove Jansson? Penchant for constructing novels out of short stories in a way which works mysteriously well to create a sense of who people are; very little happens but a lot is communicated; not really a progression along a line so much as a collection of snapshots that could be rearranged and played around with. Murakami? Books full of signs which signify... well, what, exactly? A lot about creating a sense that there's a pattern and not providing any kind of key to it, and having this actually be satisfying. His endings resolve nothing and I like it.

I'm also more in love with magical realism and making the ordinary otherwise threatening or unsettling or strange than I am with just writing the ordinary or with writing the outright extraordinary. I think there is a space there for subtle wrongness and a sense of disconnection from the day-to-day, and though that genre doesn't necessarily do that and things which do that aren't necessarily of that genre I think it's an area which would be fun to play in. Any sort of lense which produces strangeness would work, because, well, that's how the world feels to me. I guess I am about the sense that things don't quite fit and that the supposedly ordinary can be the most disconcerting thing, because it often is to me.

This realisation brought to you partly by a conversation in which I got frustrated with Alice Munro's stories for being beautifully crafted and all about women's daily lives (OK, resoundingly straight women's daily lives with heavy emphasis on the men therein whether as a presence or an absence, which may just have been a part of the problem for me when it came to identifying with them) and absolutely boring to me because they feel like a part of a legendary Normal World I have never actually set foot in and wouldn't really enjoy if I got there. I simply can't connect to them, though they are probably really pretty good if you can.


A couple of links.

a. I've decided I really like the community [community profile] queering_holmes. I decided this largely because they seem to like Graham Robb's Strangers over there and because this could just be the place I'm looking for with Queer Victorian Stuff and an interest in Holmes as linked in to that context. Maybe I can air my theories about Irene Adler. Sometime when I'm feeling confident enough to be sociable. For now I'll sit and watch and feel a tiny bit gleeful.

b. I'm not actually any good at Japanese history - I've studied the bits that could reasonably be covered by a course about indigenous cultures worldwide from an archaeological perspective, which is to say, groups like the Ainu, and I've read a bunch of books about homosexuality among Samurai and monks, and I've absorbed various other information in a completely haphazard way so that the end result is a bit surreal - but here is a post about Samurai Champloo from someone who seems rather better at it. I love Samurai Champloo, for the record, and I love it as a fun and gloriously irreverent series and as a piece of commentary and also for its amazingly choreographed fight scenes. But in this case we're talking about it as a series taking a good kick at the Samurai drama genre as a whole even while theoretically playing within its borders.


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